Sunday, September 30, 2012 Monday, May 21, 2012
Tilda Swinton and Sandro Kopp, Boss Black 2012 Fashion Show - May 18, 2012 -Beijing, China

Tilda Swinton and Sandro Kopp, Boss Black 2012 Fashion Show - May 18, 2012 -Beijing, China

Wednesday, March 21, 2012
Tilda Swinton, Haider Ackermann, Sandro Kopp at Film on the Rocks Yao Noi, March 2012

Tilda Swinton, Haider Ackermann, Sandro Kopp at Film on the Rocks Yao Noi, March 2012

Tilda Swinton, Haider Ackermann, Sandro Kopp at Film on the Rocks Yao Noi, March 2012

Tilda Swinton, Haider Ackermann, Sandro Kopp at Film on the Rocks Yao Noi, March 2012

Friday, February 10, 2012

Tilda Swinton vs the Runway

Wearing Lanvin Spring/Summer 2012 at W Magazine private dinner celebrating Sandro Kopp.

Friday, December 9, 2011

“The images above are from I Am Love, Julia and We Need to Talk About Kevin, and are all by my sweetheart, Sandro Kopp, who is a painter. His attention to atmosphere—the hubbub of the formal luncheon around Emma, the hostess/the chop into the looming unguardedness of Julia hungover/the isolation of Eva like a fly caught in the web of Kevin’s defacement of her precious wall of maps—is everything, it sets the scene and serves the attitude of the ‘character’ by explaining it. This is how I like to play with ‘characters’ in the first place: imagine these moments of embeddedness, one after another, with all their details and points of counter focus. No person, even the subject of a feature film’s story, is not made by their context.” - Tilda Swinton, Time Magazine, December 8, 2011

(Via Model and Muse: Tilda Swinton on Being Photographed)

“The images above are from I Am LoveJulia and We Need to Talk About Kevin, and are all by my sweetheart, Sandro Kopp, who is a painter. His attention to atmosphere—the hubbub of the formal luncheon around Emma, the hostess/the chop into the looming unguardedness of Julia hungover/the isolation of Eva like a fly caught in the web of Kevin’s defacement of her precious wall of maps—is everything, it sets the scene and serves the attitude of the ‘character’ by explaining it. This is how I like to play with ‘characters’ in the first place: imagine these moments of embeddedness, one after another, with all their details and points of counter focus. No person, even the subject of a feature film’s story, is not made by their context.” - Tilda Swinton, Time Magazine, December 8, 2011

(Via Model and Muse: Tilda Swinton on Being Photographed)